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VCCP & TfL's Bystander Campaign 'Act like a friend'

VCCP & TfL's Bystander Campaign 'Act like a friend'

We’ve all seen moments on TfL that don’t feel right — a stare that lingers too long, intimidating language, or aggression that makes a carriage fall silent. Most of us want to help but aren’t sure how. Launched during Hate Crime Awareness week, TfL & VCCP combined to produce ‘Act like a friend’, which asks you to do exactly that - to act like a friend to the person experiencing harassment or abuse. You can pretend to know them from work, start a conversation about their trainers, or even just ask them if they are okay. Any kind of friendly gesture that aims to support the victim, rather than confront the perpetrator, is proven effective behaviour to help defuse these situations.

The whole campaign was built around real stories from real Londoners who are already out there doing this behaviour. The campaign went live across the entirety of the TfL network in the form of digital and printed OOH, designed to be in-the-moment reminders of the simple prompts people can use to act like a friend if they need to. The campaign was produced in collaboration between Girl&Bear, My Accomplice & Film London.

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This case study was provided by Girl&Bear and the project was included in the 2025 dataset. Watch the final film here.

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CO2e correct as at date of activity input/edit. Subject to change in future if Final Footprint is reopened and activities edited, due to underlying factor updates.

Final Footprint

1.26 tCO2e
  • Work Spaces
  • AI Usage
  • People Transport
  • Equipment Transport & Couriers
  • Accommodation
  • Data Storage
  • Non Shooting Spaces
  • Shooting Spaces
  • Catering
  • Wardrobe
  • Art department & SFX

Emissions were kept to a minimum by:

Work Spaces
  • Working in VCCP’s renewably powered offices
AI Usage
People Transport
  • Using public transport for everything other than equipment delivery
Accommodation
  • Using an all local crew
Data Storage
  • Reusing drives
Non Shooting Spaces
  • Holding initial casting sessions remotely
Shooting Spaces
  • Shooting on TfL’s trains and buses
Catering
  • Taking orders ahead of the shoot to minimise unnecessary meals, not having a red meat option, and providing vegetarian options
  • Donating leftovers to food banks
Wardrobe
  • Primarily using rented costume
Art department & SFX
  • Shooting on location to minimise requirements
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